Dénouement: the final outcome of the main dramatic complication in a literary work; the outcome of a complex sequence of events; the end result
Nothing is more clear than that every plot, worth the name, must be elaborated to its dénouement before any thing be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.
In 1846, a year after “The Raven” was published, Edgar Allan Poe wrote “The Philosophy of Composition”, a prose essay explaining his famous poem. A friend and former employer of Poe’s, George Rex Graham (who had declined to be the first to print “The Raven” — a poem he didn’t like — the previous year), would publish the essay in his April issue of Graham’s American Monthly Magazine of Literature and Art.
There are some critics who contend that Poe’s essay is purely fictitious, meant to be nothing more than a piece of imaginative writing instead of a serious examination of his haunting poem. In my opinion, this idea is absolutely ludicrous. “The Philosophy of Composition” is a remarkable piece of literature revealing Poe’s carefully thought-out process of writing. It is an invaluable tool to writers, both professional and amateur alike. Why this essay isn’t a mandatory study in every high school English class in the world is beyond me.
Poe is quick to point out that many writers, poets in particular, are only too happy to have the reader believe “that they compose by a species of fine frenzy — an ecstatic intuition —” when in reality, as Poe will continue to describe in exquisite detail, that could not be further from the truth.
… it will not be regarded as a breach of decorum on my part to show the modus operandi by which one of my own works was put together… It is my design to render it manifest that no one point in its composition is referrible either to accident or intuition — that the work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem.
What I found most enlightening about Poe’s essay was seeing how his writing process was remarkably similar to the process I use when creating a painting. The birth of any work of art, be it a painting or a fine piece of literature, comes with much thought, consideration and careful planning.
The first step Poe takes in the writing of “The Raven” is determining the length of the poem. According to Poe, a poem should fall within “the limit of a single sitting”. Any literary work too long to be read in one sitting compromises the “unity of impression”. If it requires a second sitting to complete, then you risk losing the effectiveness of what you’ve written. As Poe puts it, “…the whole being deprived, through the extremeness of its length, of the vastly important artistic element, totality, or unity, of effect.”
Considering a number of factors, Poe determines that an appropriate length for his poem will be around 100 lines (“The Raven” has 108) – long enough to tell a compelling story and maintain reader interest, but short enough that none of the author’s artistic nuances are lost, and you retain the effective flow of the piece.
For example, if you build up to an exciting climax but then the reader is delayed in reading it, all the work you did to build up to it was for nothing. You’ve lost the effectiveness of the moment. To get the biggest bang for your buck you need to read the piece as a whole, from start to finish, at one time, so that everything is fresh in your mind, and you’re in the moment when the moment comes.
Next Poe decides on the province of the poem, that is, the impression or effect to be conveyed and the tone it will take: “Beauty is the sole legitimate province of the poem. Beauty of whatever kind, in its supreme development, invariably excites the sensitive soul to tears. Melancholy is thus the most legitimate of all the poetical tones.”
Even Poe’s choice of the word for the poem’s refrain — “Nevermore” spoken by a raven — is extremely well thought-out and complex. He chooses to vary the application of the refrain instead of varying the refrain itself. Instead of the refrain being different each time it’s used, when and where the refrain is spoken will vary; he must decide the nature of the refrain, its length and character; where to use it and how it will sound; THEN select a word embodying this sound in keeping with the tone of the poem. Finally, he settles on a pretext for the continuous use of the one word – why is the same word being used over and over again. Poe’s solution: have it spoken by a raven, “the bird of ill omen”.
At last we come to the most important part of the planning process… what is the poem’s topic?
Of all the melancholy topics, what, according to the universal understanding of mankind, is the most melancholy? Death — was the obvious reply. And when is this most melancholy of topics most poetical? When it most closely allies itself to Beauty: the death, then, of a beautiful woman is, unquestionably, the most poetical topic in the world — and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover.
“I had now to combine the two ideas, of a lover lamenting his deceased mistress and a Raven continuously repeating the word “Nevermore”…” Here Poe concludes that the Raven will speak the refrain in answer to the queries of the lover. And now the building begins. The queries will begin as commonplace, the first of course is simply the man asking the bird its name. But each query will gradually become more serious until eventually the lover, expecting to hear the Raven’s answer of Nevermore, becomes delirious and half-crazed, asking the final question whose climax involves “the utmost conceivable amount of sorrow and despair.” For me, this is the magic moment.
Here then the poem may be said to have its beginning — at the end, where all works of art should begin — for it was here, at this point of my preconsiderations, that I first put pen to paper in the composition of the stanza:
“Prophet,” said I, “thing of evil! prophet still if bird or devil!
By that heaven that bends above us — by that God we both adore,
Tell this soul with sorrow laden, if within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore —
Clasp a rare and radiant maiden whom the angels name Lenore.
Quoth the raven, “Nevermore”.”
The very first thing that Poe writes is the climax or conclusion of the story. With the climax established, Poe explains how he could now better vary and graduate the seriousness and importance of the preceding queries of the lover, and in turn make certain that none of the previous stanzas would surpass the climactic one.
Poe continues on in his essay to describe every detail of the poem and how he came about making the choices he did. It is a fascinating journey into the mind of this incredible writer. Poe leaves nothing to chance. He even chooses a bust of Pallas for the Raven to perch upon for the effect of contrast between the light-coloured marble of the bust and the dark plumage of the bird.
When reading the poem, we can see the gradual change which comes over the lover. At first he is amused by the Raven, then his thoughts turn to the slightly fantastical, and finally he turns very serious. “This revolution of thought, or fancy, on the lover’s part, is intended to induce a similar one on the part of the reader — to bring the mind into a proper frame for the dénouement.”
The dénouement or final outcome of the narrative is the Raven’s reply of “Nevermore” to the lover’s final demand if he shall meet his mistress in another world.
Poe’s process is so wonderfully refreshing because he really has thought of everything. The entire series of events is entirely plausible – a raven seeking shelter from the stormy night flies into a man’s house. The bird constantly repeats the only word that it has been taught, but that word “finds immediate echo in the melancholy heart” of the lover who is already wallowing in grief over the death of his beloved Lenore.
And he is impelled by “the human thirst for self-torture.” He keeps asking questions, knowing already what the Raven’s answer will be. Everything is plausible, Poe has kept both feet in reality. There is nothing supernatural about the occurrences in “The Raven”, and perhaps that is what makes the story so striking — the realness of the situation resonates with the reader, giving the poem soul.
Having stayed within the confines of reality, Poe ensures that the poem doesn’t lose its richness and artistic appeal.
“I added the two concluding stanzas of the poem — their suggestiveness being thus made to pervade all the narrative which has preceded them. The under-current of meaning is rendered first apparent in the lines —
“Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven “Nevermore!”
It will be observed that the words, “from out my heart,” involve the first metaphorical expression in the poem. They, with the answer, “Nevermore,” dispose the mind to seek a moral in all that has been previously narrated. The reader begins now to regard the Raven as emblematical — but it is not until the very last line of the very last stanza, that the intention of making him emblematical of Mournful and Never-ending Remembrance is permitted distinctly to be seen:
And the Raven, never flitting, still is sitting, still is sitting,
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamplight o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted — nevermore.
I strongly urge you to read Poe’s essay, The Philosophy of Composition, for yourself. It is a veritable fountain of information, and it discusses even more than what I have highlighted here. It is a rare and exciting privilege to take a peek into the mind of a genius, to see how he thinks, to discover the method behind his madness. That is what Poe has given us with this extraordinary piece of literature — a chance to glimpse the master at work.
In all of his writings, from the first line to the last, Edgar Allan Poe truly captivates the imagination. His unmatched literary prowess spanned all topics. The same man that gave us the most beautiful of verses from “Annabel Lee“, “But we loved with a love that was more than love”, also gave us a taste of the torments of the Spanish Inquisition in “The Pit and the Pendulum”. We must stand idly by as a Prince loses the battle to protect himself from the Plague in “Masque of the Red Death”.
But it is in his most brilliant of works, “The Raven”, that Poe reaches his artistic peak. He lays bare a man’s soul, strips his sorrow naked, and illustrates the sad fact that we’re sometimes our own worst enemy.
Paul said:
Terrific job, Gal Friday. Your blog just gets better and better. It’s the only one I consider a must-read, in fact. This may well be my favorite post yet — and that’s saying something.
I’ve read many of Poe’s stories and poems, but until I read your post, I had no idea he’d ever written something that explained his approach to writing. As a professional writer and editor, I found it fascinating. Poe’s essay should be as well-known as Strunk & White’s “The Elements of Style,” and as handy as a dictionary, yet how many people have even heard of it?
There’s some remarkably helpful advice here. Something as basic as starting with the end in mind is worth the price of admission. Think of how many writing problems would be solved (if not prevented) if people made sure they knew the dénouement BEFORE they started typing.
Instead, they do exactly what Poe here specifically warns against: writing in a “fine frenzy”. They think some unspecified Muse will endow them with a polished product, when in fact such a product results only when the writer has taken considerable time and effort to make certain that it works. They build without a firm foundation. Small wonder what they build crumbles so easily at the first sign of trouble.
I think most people assume that Poe’s genius gave birth to a poem that was more or less ready to go from the first draft, never dreaming that his genius was in PLANNING and executing a work that entertains, thrills, and — as you amply demonstrated in your previous post — stands the test of time. “The Raven” was built as carefully as a Swiss watch, and it shows.
You’ve convinced me to read “The Philosophy of Composition,” then go back and enjoy Poe’s signature work through new eyes. Well done. Edgar Allan Poe is smiling today! And so am I. :)
Wendy Brydge said:
Thank you, my friend. Thank you for many things. You not only previewed and edited this post, but you also supported and encouraged me to finish it. If it hadn’t been for you, this very likely would have sat forgotten forever in my Drafts folder.
I’ve always been a fan of Poe, and when I found this gem, I was beyond excited. It is a truly remarkable piece of literature, as important as any of Poe’s fictional works, and it’s terribly upsetting to think that it is relatively unknown. I simply had to bring it back out into the light of day and share it with a new generation of Poe fans. “The Philosophy of Composition” belongs right at the top of the list of Poe’s greatest writings.
I’m so glad you enjoyed this post. Always happy to receive a thumbs up from the Boss. :)
Paul said:
I know I’ve told you this privately more than once, GF, but I wanted to congratulate you publicly on getting Freshly Pressed. Good thing I’m not the type to say “I told you so,” or I might remind you of how often you said this was a “boring” post that no one would care about. ;) It’s nice to have independent corroboration of my view of you as someone who’s as talented with a pen as with a paintbrush. *raises a glass to you* Cheers. :)
Wendy Brydge said:
It’s okay, Boss, you can say it. Yes, you told me so! Since this post wouldn’t have come to fruition without you, you deserve to be able to remind me of anything you want. This was a great experience — being Freshly Pressed — met so many wonderful, new people. But at the end of the day, if you’re still my number one fan, THAT is what makes me happy. Thanks for everything, Paul. *clinks your glass* ;)
Things You Realize After You Get Married said:
I love the poem The Raven. Like most people I know, that last line in the poem is forever ingrained in my head. I would definitely be interested in reading Poe’s essay b/c I am curious to read the thought process behind a writer’s / poet’s work. Thanks for sharing……Also I have to say, I love how eloquently you ended your post–“He lays bare a man’s soul, strips his sorrow naked, and illustrates the sad fact that we’re sometimes our own worst enemy.” Well-said! Congrats on being FP! :)
Wendy Brydge said:
Thank you so much! I never expected this post to be FPed, it was a wonderful surprise. And I’m so glad you liked the ending. Absolutely take the time to read Poe’s essay. As I mention above, there’s even more information than what I’ve written about here. Thanks for stopping by! :)
Melissa Barlow (@mcbarlow36) said:
Being a long-time Poe fan, thank you for suggesting this essay. It sounds like it’s very informative and also gives a lot of insight into his thought process. Congrats on being freshly pressed!
Wendy Brydge said:
Thanks, Melissa! Definitely something every Poe fan (and writer) should read.
shareenarciso said:
Any literary work too long to be read in one sitting compromises the “unity of impression”. If it requires a second sitting to complete, then you risk losing the effectiveness of what you’ve written. As Poe puts it, “…the whole being deprived, through the extremeness of its length, of the vastly important artistic element, totality, or unity, of effect.”
–I cannot agree more. This is so eloquently put, I have not a single cent to add. Good job!
Wendy Brydge said:
Thanks a million, Sharee! I’m thrilled that you enjoyed this. And it may still be nineteen days away, but Happy Birthday!
shareenarciso said:
Aww that’s awful sweet of you. Thanks Wendy!
Wendy Brydge said:
You’re more than welcome! :)
northernmalewhite said:
Always preferred jackdaw’s to ravens..
oh..
thanks
Wendy Brydge said:
Lol! You’re welcome. And I’m not ashamed to admit that I had no idea what a jackdaw was. They’re definitely much cuter, and unlike ravens, they’re smart enough to migrate south in the winter. Something I wish I could do!
dnlsrl said:
Your post is an enlightenment to me. Obviously, you read what Poe explained. But you went through it and shared it to others. I love Poe’s works, but now I love them a lot more. I’ll get that essay in my hands and make sure to read it through. Thanks a lot!
Wendy Brydge said:
You’re very welcome. Thank you for reading my post. When I first read this essay, I couldn’t get over the fact that many people aren’t even aware that Poe wrote such a thing. It’s a marvelous piece by a true master. Hope you enjoy it!
dnlsrl said:
Reblogged this on Hasta Que mi Corazón Explote… and commented:
Cómo escribir, según Poe.
Wendy Brydge said:
And thanks for reblogging!
Writer said:
“The Philosophy of Composition” is one of my favorite pieces of writing of all time. I first read it in middle school and the love of Poe that followed it fueled me through graduate school, culminating in a thesis dissecting Poe’s work. Thanks for bringing this great essay to light for other readers :)
Wendy Brydge said:
That’s wonderful to hear! I’m sure your thesis was very interesting to read. And I love that you were introduced to the essay at a younger age. I wish everyone had the opportunity to do that. Even I didn’t discover it until fairly recently. Thanks for stopping by and reading my post!
the tow path said:
My favorite poem. When I was 19 i worked at a camp for the disabled where I had to live 24 hours a day for 8 weeks. With plenty of time on my hands, I memorized the entire thing.
Wendy Brydge said:
The Raven is my favourite as well. And like you, I memorized the whole thing! You might enjoy my previous post, https://wendylovesjesus.wordpress.com/2013/01/29/once-upon-a-midnight-dreary/ which is all about The Raven (and was posted on its publication anniversary), and includes the poem itself with the beautiful engravings that Gustave Doré created for it.
Melanie said:
I have been a fan of Poe since my first introduction to him through “The Tell-Tale Heart.” I will never forget that experience. I have since read everything he has to offer, including “The Philosophy of Composition.” It has had a big impact on my own writing. When putting together a piece of fiction, be it 500 words or 5000, I first begin with where I want it to go and the feeling I want when that moment arrives, and then go about getting there. I guess I am so used to working this way, and knowing how it is I came to this strategy, that I never realized this essay wasn’t so well known. It sure should be.
Wendy Brydge said:
I agree 100%. It should be studied in classrooms around the world. I’m an artist by trade, not a writer, but I’ve always used Poe’s approach when painting as well as writing. I start at the end with what I want my piece to “say” and “feel”, then do the work to get to that point. Thanks for taking the time to read this today.
MeliciousManners said:
I am looking forward to reading and re-reading both works! Thanks for lifting the veil.
Wendy Brydge said:
You’re more than welcome! I love the thought of more people discovering (and rediscovering) the wonderful works of Poe!
sweettearevolution said:
The “fine frenzy”, I’ve learned, is essentially the fun part of being a writer and is only ever worth while if supported by sound structure planning. Plotting? Either? ;) “The Philosophy of Composition” is a favorite of mine too. I wish someone had handed it to me in middle or highschool.
Wendy Brydge said:
I second that. In high school I read Stephen King’s “On Writing”, and while it was interesting and informative, it simply pales in comparison to Poe’s “Philosophy of Composition”. And yes, I suppose there’s something to that “fine frenzy”! Gotta enjoy your work sometimes! ;)
primalnights said:
Super interesting post and a beautiful blog as well.
Wendy Brydge said:
Thank you very much. I’m humbled that so many people are enjoying my blog/post. Glad you stopped by today. BTW, your poem, “My Fire”? Beautiful. Very Annabel Lee-esque.
primalnights said:
Sorry I didn’t respond earlies, don’t know why I missed this but thank you. It’s one of my two faves of mine. Thank you.
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lawrhetoricanddebate said:
Reblogged this on Law, Rhetoric, & Debate.
Wendy Brydge said:
Thanks for the reblog!
lawrhetoricanddebate said:
You are most welcome. Who doesn’t like Poe? I think Poe would reblog himself as well.
lucindalines said:
Thank you for putting this out here. I so wish that I had come upon this essay while I was still teaching high school English. It is hard to explain to young people that stories are written in a particular way and not just a random listing of words, which is what most of them like to submit.
Wendy Brydge said:
Yes, that’s what I loved so much about Poe’s essay, that he truly illustrates the importance of “thinking” first. Good writing comes from careful planning and consideration. I believe this is a perfect study for a high school English class. I wish I had been introduced to it when I was that age.
But, better late than never! I can still learn from and appreciate it now. Thanks for reading and commenting!
angelmanna said:
Love Poe and loving this… not only do I self identify with a lot of his works and their depth but I adore anyone who can translate them with such eloquent grace… well worth reading for all Poe lovers. Thank you. :)
Wendy Brydge said:
It was my pleasure to write this post. And thank YOU very much for the kind words. I hope you continue to enjoy his writing. Thanks for stopping by!
angelmanna said:
Pleasure :D
River said:
Well, it wasn’t required reading for my high school English class, true. It was, however, required for my college-level English class, and you’ve reminded me just how brilliant it is. I should go re-read it soon.
Mind if I reblog this post?
Wendy Brydge said:
It is a fantastic piece and I’m glad to hear that it was required reading somewhere. You should absolutely read it again. It’s a classic.
And no, I don’t mind at all. I’d love for you to reblog my post! Thank you!
chloeaevm said:
Just gonna go ahead and reiterate what everyone else has already said: THANK YOU for sharing this. Ever since I was a little girl, I’ve loved Poe to death. While my classmates read poems about daffodils and butterflies, I ate my fill of “death and beauty.” As a wish-I-were-as-good-as-you writer, I really appreciate this enlightening essay on both Poe and writer’s craft. Congratulations on being Freshly Pressed.
Wendy Brydge said:
Thank you so much, Chloe! I was the same. I’ve always preferred Poe’s slightly dark idea of “beauty” to the standard flowers and frill type. I mean, is there any poem more romantic and beautiful than Poe’s Annabel Lee? Thank you for reading, I truly appreciate your commenting, and happy birthday! Eighteen! Congrats! :D
River said:
Reblogged this on Strike A Spark and commented:
Edgar Allen Poe wasn’t just a brilliant poet. He was a brilliant writer, period. If you haven’t read his “The Philosophy of Composition” yet, you should–and here’s why.
Wendy Brydge said:
:)
Jackson Williams said:
Reblogged this on New American Gospel! and commented:
— J.W.
Wendy Brydge said:
Thanks for reading and reblogging!
melanielynngriffin said:
Love this – thanks so much. I plan on reading the whole thing. It’s interesting that these days, the advice trends in the other direction. Let the thing write itself, don’t outline, the characters will take on their own personalities and you never know where your plot will go, etc. I find Poe’s approach comforting. This guy is in control of his writing. Thanks again. And congrats on FP!
Wendy Brydge said:
You’re welcome! And you’re so right. There is a very loose and carefree approach to writing that’s pushed today, but it’s not a new idea. It was rampant even in Poe’s time, and I believe that’s one of the reasons he wrote this essay in the first place. That “fine frenzy” style of writing is just the opposite of Poe’s more refined, yes, “controlled”, approach.
Thanks for taking the time to read and comment. And I’m ecstatic to be a member of the Freshly Pressed club!
Thông Tin Nhật Bản said:
Thank YOU
Wendy Brydge said:
You’re very welcome!
Storm said:
I like the idea of a well planned out piece of writing, but do you ever start writing and things just flow out of you and you come back and go, “wow, what was I thinking with this?” There are some good things, some bad. Great blog. Great essay to point out for people to read.
Wendy Brydge said:
Ha! Yes, that has happened! More so with painting rather than writing for me, though. But yeah, I’ve had an amazing idea and it feels like it’s going to be a masterpiece, I get it all down without thinking too much about it, and then….. YIKES. That just did NOT work out the way I thought it would.
Thanks for the compliment! Glad you enjoyed!
Humans Are Weird said:
Thanks for writing this up. For one, cause twas awesome. For two, tis good to know that this work exists. I love Poe. And would love to take a peek into the method behind his madness. That brilliant, morbid bastard.
Wendy Brydge said:
Thank you, your comment made me smile! Definitely get immersed in that wonderful madness that was Poe!
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rastelly said:
Can it be that such things have ghosts at their helms? or is time a mere wall,
a space between rehlms.
While I would like to think my poems are spontainious,
some of my best ones follow every rule put fourth here.
A plot whose purpose is to glorify my favorite line –
which I save for last.
A poem must be short to maximise the impact.
The shorter the message the better the impact –
I’ve held the things that none can reach –
and learned from those that do not teach –
Trust ye not –
The words of men –
They drive mortals to madness –
and gods to sin –
Seek the sage who is unawhere –
Never let him Know you are there –
Study his methouds
Study his ends
Who are his enimies
Who are his friends
As for the sage who seeks you out
always be he cast in doubt.
Wendy Brydge said:
Very nice! Thanks for sharing!
rastelly said:
Your welcome. Bye now :)
Stop by sometime.
Wendy Brydge said:
I intend to. You’ve intrigued me!
jewells53 said:
Big Poe Fan. I read his complete works as least twice a year. I like your blog and wanted to know your thoughts on the Television show that deals with a serial murder cases that are linked to Poe’s work? “The Following” is the show but you probably already know that. I have been watching just because of the connection with Poe.
Keep this blog going. Poe is such a great read. Never get tired of it.
Wendy Brydge said:
I will definitely keep the blog going, James, thanks for stopping by and reading this post. I never get tired of Poe either. His writing is timeless and entrancing.
I started watching “The Following” when it first began, and I was intrigued by the Poe premise. But I’ll be honest — I made it three episodes in and I just couldn’t watch it anymore. I find the show to be drowning in mental violence and that isn’t something I find overly entertaining. Just too much darkness, if you know what I mean. The killer’s mind is SO dark, twisted and evil that I wasn’t able to enjoy any of the plot/story. Which is too bad, the acting is quite good and the base idea was interesting. I also used to love “Criminal Minds”, but it too became too dark for my liking and I stopped watching. In both instances, even if “good” does somehow triumph in the end, it doesn’t feel like it. It feels like evil still wins. And to me, that’s very unsatisfying. How have you been liking it? Just because it wasn’t my taste doesn’t mean it isn’t a good show, and I’m curious about what someone else thinks of it. So please feel free to share.
Have you seen the movie with John Cusack, “The Raven”? It too dealt with a killer basing his crimes on Poe’s work. Not the best film I’ve ever seen, but it was worth watching.
Take care and thanks again for reading!
jewells53 said:
I wanted to reply to your reply. This was the only way I could figure it out.
I must say I do agree with you about “The Following.” I turn it on just to see if and what they use of Poe’s works. Other than that the show to me is to slow. I do like dark material however the writer has be able to capture the story and this one seems a little dull. (trying to be nice about it). I never watched “Criminal Minds”, so I really don’t know much about it. And I will have to look into the Movie with John Cusack. I may have seen it and just don’t remember. I look at a lot of writers a little different than most. An example is Charles Dickens. He is nothing like Poe but all of the stories that I have ever read are dark. Even “The Christmas Carol.” But Poe was introduced to me when I was in school and once I heard the words I was hooked. I never get tired of reading Poe. Thank You for this wonderful blog on a great writer. I will always be keeping up on this one. Blessings
Vincent Borgese said:
Well done! One would think, based on the image of Poe, that he did write in a frenzy. Instead, we find he was a master craftsman. And, I have to say, your presentation was a pleasure to the eyes — the artist in you.
Wendy Brydge said:
Well, thank you very much, sir! I agree, it’s easy to assume that Poe was rather… fast and loose, shall we say… when writing, but when you really get right down to it, you just can’t achieve the depth and substance of Poe’s work without a great deal of thought and careful consideration — a point his essay illustrates beautifully.
Glad you enjoyed this, thanks for reading and taking a minute to leave a comment!
speakupdenver said:
Reblogged this on Sassy Bella.
Wendy Brydge said:
Wonderful! Thanks!
Matthew Wright said:
I agree. Should be mandatory reading. Poe’s observations are absolutely true today. Writing is a structured exercise, because the purpose of writing is to lead the reader through an emotional journey. There is, I think, room for ‘seat of the pants’ composition, but only within the framework of the structure – as an inspirational tool to provide the raw material, in effect. Some authors are experienced enough to be able to ‘pants’ their way through their work, with the right structure, first off. But not many.
Wendy Brydge said:
I echo your thoughts completely, Matthew. Thanks for reading and commenting!
Mayerzee said:
A fantastic piece Wendy. I’m glad you put the link to read the essay, furthermore the fact thats it’s free is brilliant. This has given me a fresher perspective of what the Raven is about and the methods. I absolutely agree that it should be mandatory reading. Not only the essay but a majority of Poe’s work should also be introduced to schools and colleges.
I remember performing in “The fall of the house of Usher” in college. This is what got me interested in his work. I was 17 and felt robbed. I regretted not knowing of this man earlier.
Wendy Brydge said:
Thank you, Thomas! I couldn’t have put this post out there without giving people a push to read Poe’s essay for themselves. It’s one thing to listen to a person analyze another’s work, but nothing beats getting the information straight from the horse’s mouth, so to speak.
And yes, Poe is an author that seems to be grossly overlooked when it comes to teaching literature. The school system loves Shakespeare, but I love Poe.
A production of “The Fall of the House of Usher”… that sounds marvelous! And it may have come later than you wanted, but in the case of Poe, it truly is better late than never. :)
dramonovich said:
Thank you for your fascinating study. Poe, I was a writer whose work was studied in my school. College, not as much. Though my literature class was examining many writers we did not focus intently up on Poe. I’ve learned more about him and his technique as a writer. “The Raven drifts out of my sight”.
Wendy Brydge said:
That’s great that you got to study him at all. A little bit is better than none. Thanks for reading!
dramonovich said:
[giggles] Poe, was a writer…
Wendy Brydge said:
Don’t you wish blog comments came with an edit button that the comment writer could use? ;)
dramonovich said:
True lol. Facebook has that now. Helps. Are you on Facebook via Notes?
Wendy Brydge said:
Unfortunately, no. I’m not on Facebook and I’m not familiar with what Facebook Notes is, to be honest.
Eyagee said:
Despite the multitudes of ideas in my head, and the few that have made it to paper (digital or otherwise), I have never read Poe. Kinda wanted to but never got around to it. This post is giving me another push :)
Wendy Brydge said:
Excellent! I love the thought that my post might help give someone a little incentive to read Poe’s work! That’s wonderful! Well, I wish you happy reading, make sure you check out this essay of course, as well as “The Raven”, “Annabel Lee”, and for one of his short stories I’d recommend “Masque of the Red Death.” There’s my unsolicited advice! Oh, and the not as popular “For Annie” is definitely worth reading. It’s a beautiful poem. :)
chris ludke said:
Thanks for the info on Poe’s writing process. That poem is one of my all time favorites. I’m glad to see he had the end in mind the whole time he was working on it. As a painter, I see a trend in modern art , the best description was told to me by a respected mixed media professor at the art university here. She said, ” No thought process is required. ” I chuckled to myself, because I always plan my paintings before I start , and make changes as I’m working until I get the look I had in mind. So to me art often looks like the artist is in a coma., because I can’t see any thought process. They put their subconscious in their art without mindfully taking control of the painting. I think the steps to writing are similar to the steps in painting. And great art makes you think, the same as great writing makes you think. The outline of the poem or essay is the same as the sketches and roughs that I do to prepare for painting. A necessary step if you are still conscious. :-)
Wendy Brydge said:
Chris, we’re definitely on the same wavelength here. That’s what I loved most about Poe’s essay — the similarities between his writing process and the way I approach a painting. Like you, I also plan my paintings out in minute detail before I ever even think about putting paint on canvas. I did a series of blog posts showing the many steps of planning, from initial ideas, through preliminary sketching, to the finished painting. Half the work in a painting is the planning process. I’m not surprised that writing so closely parallels painting, as both are forms of art.
I’m not a fan of modern art at all. As you say, it’s obvious that there is no planning involved. “No thought process is required.” That about sums it up, doesn’t it? Geez.
Your analysis of art is spot on. Thanks so much for commenting. :)
audibleedibleme1 said:
this post abled me to read the essay today. having done so, i have become more impressed of poe. thanks to you. ive gone through this post breezily because your words were clear and well-organized. having executed your intention–which i presume to initially be your agreeing to poe’s take that real art is beyond mere chance or that the cause for art is its effect–this fits perfectly with poe’s departmentalization of truth and intellect. well done.
Wendy Brydge said:
Thank you so much. It’s very gratifying to hear that you found my post easy to read. And you are correct, what you described was indeed my intention.
AKA John Galt said:
Reblogged this on U.S. Constitutional Free Press.
Wendy Brydge said:
Thanks for reblogging!
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Kassiknorr said:
Reblogged this on kassiknorr.
Wendy Brydge said:
Always love to see this reblogged! Thanks!
Kassiknorr said:
You’re welcome !
seekingblueinfinity said:
Reblogged this on weavinginvisiblepatterns and commented:
on writing
Wendy Brydge said:
Thank you for passing this on!
jimtgammill said:
Outstanding,
This is my first visit to your blog and I found your coverage on Poe’s essay to be relevant and insightful. I will definitely read the essay in its entirety! Thanks for the great interpretation and link to the complete work.
Jim
Wendy Brydge said:
Thank you very much, Jim! Your first visit but hopefully not your last!
estherdalys said:
I am a senior and have been for years. I read just about all of Poes work in my teens and 20’s. My friends and I read his stories at night and were to frightened to sleep.(Great sleepovers). It’s too bad he;s been put on the shelf. Thanks for reminding me of his work. I’m going to reread some of my favorites.
Wendy Brydge said:
I love to see that Poe has fans of all ages, proving that his work is timeless. I’ll bet those sleepovers were a lot of fun. Enjoy reacquainting yourself with your favourites. Thanks for reading!
estherdalys said:
I am so excited to have your reply. I’m new to Word Press and working on my first blog. Invisible Seniors. I’m 80 and at a loss with computers. I’m happy to have actually communicated with you. I’ll be back.
Wendy Brydge said:
Well, then welcome to the WordPress family, Esther! I think that’s wonderful that you’re starting a blog, I’ll be sure to go and take a look once you’ve got it up and running. How exciting! Good for you! I admire you for trying something new. Don’t worry, you’ll be a computer/blogging pro in no time. And you’re going to love it. Wishing you the best of luck! Come back any time. :)
estherdalys said:
Thank you for taking an interest. I hate to admit it but I don’t know the difference between a blog and a post. What is a post?. I feel very fortunate to have come across your blog at the start of my voyage in Word Press
Wendy Brydge said:
The terms can get a bit confusing when you’re just getting started.
A “post” is what you call a written article on a blog.
The “blog” itself is where you house all of the posts.
My blog is “Seeker of Truth”, and on it I’ve published a number of posts: This article that we’re communicating on — “Quoth the Raven…”, as well as “Once Upon a Midnight Dreary”, “Finding Peace”, and all of the other pieces I’ve written.
“Publishing” is making the article/post you’ve written public. Once it’s published, other people can see it.
I hope that helps, but I apologize now if I haven’t explained it well. If I can assist you in any way, please don’t hesitate to ask. I’m always happy to help if I can!
Daniela Tharrington said:
Wonderful blog! I only found you the other day but I loved reading your last post. Keep up the great work.
Wendy Brydge said:
Thanks!
Kenneth Mark Hoover said:
“The birth of any work of art, be it a painting or a fine piece of literature, comes with much thought, consideration and careful planning.”
As a professional SF/F writer I can attest truer words were never spoken. This is the chasm that divides artists from wannabes.
Wendy Brydge said:
You’re absolutely right, Kenneth. Thanks for reading!
catsgeesonexaminer said:
I have always loved the works of Edgar Allen Poe, and that being said, I have also encouraged my daughter, and now my granddaughters to read his works. I was intrigued by what you have said, and I also agree on your assessment surrounding the birth of any work of art. Well said….
Wendy Brydge said:
Thank you very much! So glad you’re helping to spread the incredible works of Poe.
estherdalys said:
Wendy, If you have not read it, I am certain you would enjoy The Devil and Daniel Webster, by Stephen Vincent Benet. It first appeared in 1936 and won the O Henry Award in 1937. A great book for a seeker of truth.
Wendy Brydge said:
Thanks for the recommendation, Esther. No, I haven’t read this, but I certainly will — I actually just found it online. :)
estherdalys said:
Thank you so much for your response. I have typed up two posts that are on the subject of grandchildren and grandparents. They are other peoples stories so I have had to be careful of my presentation. Now I cant find them!! so I have taken steps to get started. I have an 18 year old coming in tomorrow afternoon to help me set up my blog.; I’ll let you know when I post.
Wendy Brydge said:
I hope you find those! I’m not a stranger to having to write things over. I know it’s no fun. Yes, please do let me know when you’ve posted your first piece, I look forward to reading it! Best of luck!
avadapalabra said:
Excellent! Informative, accessible, inspiring. I’ve read some Poe, quite a few poems and stories as a matter of fact, and even used some to teach and inspire some of my students (I am a teacher of English as a foreign language). Unfortunately, Poe never featured in any of the literature courses I did back in college, and although I did read a couple of essays on composition written by outstanding writers, I was unaware of the existence of the one you discuss in your post. I will definitely read it presently.
Now on the benefits of pre-considering your writing, I completely agree. I do a bit of writing myself, having penned quite a few stories (both in Spanish, my mother tongue, and English -the nerve!) and a seemingly inordinate number of poems, most of which are actually the [crappy] product of the so-called “fine frenzy”. In later and wiser years I have tried and applied myself a bit more, and whenever I do manage to pre-think my writing, it actually comes off much the better. O, muses! O, Chronos! ;)
Just in case you would like, here’s a link to one of the “better” (originally written in Spanish, somehow translated into English): http://avadapalabra.wordpress.com/2012/10/16/no-one/
And here you are a link to one I did write in English, mostly devoid of punctuation, letting its (deliberate) internal musicality set the pace: http://avadapalabra.wordpress.com/2012/07/21/twilight/
Thank you very much for your awesome post, and keep it up! :)
Marcelo
Wendy Brydge said:
Hi, Marcelo. I’m so glad you enjoyed my post, thank you for taking the time to leave such a wonderful comment. I’ve read a number of works about composition as well, and I believe that Poe’s is by far the best. So I would definitely encourage you to read it fully.
And thank you so much for sharing some of your writing here! Both pieces were very good, but I loved “Twilight”. Beautifully done, sir!
Thanks for stopping by! :)
avadapalabra said:
(blush)
OyiaBrown said:
Reblogged this on Oyia Brown.
Wendy Brydge said:
Much obliged!
estherdalys said:
Wendy, the more I read your previous blogs, and the comments, the more I hear the voice of Daniel Webster , in The Devil and Daniel Webster, running through my mind. It;s incredible. I haven’t thought of that story in years. It rings for you.
On another topic: I have written several short essays, I’m glad I had a different day job, but I would like to start posting. I do feel guilty asking,- I have been trying to change the name of my blog from FAMILY MATTERS to FAMILY VOICES. There are hundreds of Family Matters. I can’t find my way around. Have you any suggestions.
Wendy Brydge said:
No problem at all, Esther! I’m happy to help. To change the name of your blog, try the following: Go into your blog’s administration page. If you don’t know how to get there, just go to wordpress.com, make sure you’re signed in and click on the little picture of yourself in the upper right hand corner of the page. You’ll get a few choices, the top choice will show the name of your blog, so in your case, it’ll say “FAMILY MATTERS”. Click on that. That will take you to a new page titled “Dashboard”. Down the left hand side of the screen are all your options. Go the very bottom and click on “Settings”, then select “General” from the options you see. Now you’re on the General Settings page, and the very first thing you’ll see is the title of your site. Change what’s there to your new name, scroll all the way down to the bottom of the page and click “Save Changes”. And you’re done!
Hope that helped you! :)
estherdalys said:
It helped. I think I am all set now. It is too late to work on it, but I will know tomorrow. Thank you for being so kind.
gardentogether said:
Thank you so much for an eloquently written article, that inspires me to write more!
Wendy Brydge said:
You’re welcome for the article, and thank you for the compliment! Happy writing!
estherdalys said:
Hi Wendy: At this point, I am embarrassed. I have written several essays. None published. I now have a simple set-up. Paid for. Ready to push the publish button. There is a green approved comment. I can’t find any of them. Is there a place to go looking. Should I have set up a file? Do they take cancel the written works not published after a few days, or do I just need another 18 year old.
I am so frustrated I could cry. The only achievement , maybe, is responding to troubled teen blogging, crying out for help. We communicate. She blogs. I respond. She has one follower. Me. I hope I can convince her to seek help. I was publisher of a teen magazine in the 80’s so have some experience with this. Maybe she doesn’t even exist. Who knows.
Please respond, this one last time. Thank you for all your help. Esther
Wendy Brydge said:
Don’t worry, Esther. I’ll try my best to help you. If you don’t mind though, I’d like to move our conversation to email correspondence instead. Your email address is visible to me when I get a notification of one of your comments on my post here so I can write you that way.
I’m not entirely sure of the problem you’re experiencing, but I’ll send you an email shortly and we’ll go from there. We’ll get you up and running!
lancashirehypnotherapy said:
So sad that Edgar never got the recognition that he was deserving of while he was alive. Looking forward to reading the full article soon.
Wendy Brydge said:
Yes, it’s a true travesty when an artist doesn’t get the opportunity to enjoy their success. Poe certainly deserved to. Hope you enjoy reading the rest of the essay!
lancashirehypnotherapy said:
I’m so glad to have discovered your blog, Wendy. Not only do you write on a number of subjects that interest me immensely, but you also write about them so well. I’ve noticed also that the artwork here is yours also, you have a wonderful gift. Looking forward to seeing more of your work, soon. :)
Wendy Brydge said:
Thank you so much, I appreciate that! I’ve got a few new posts in the works as we speak! Hopefully one will go up soon! Thanks for sticking around! :)
Paula Cappa said:
I love Poe, his poems and short stories especially. His short story, The Oval Portrait is about the destiny of fatal beauty. And the obsession of art! You must read it. Spirits of the Dead is another poem, very short, that is wonderfully dark and how spirits cling forever. I featured these on my short story blog and it got the most hits that month. Poe is still popular and has achieved a bit of immortality as we enter into his mind and visions even today. Love your blog, Wendy!
Wendy Brydge said:
Thank you, Paula! Yes, Poe and immortality are definitely two words that I have no problem pairing together. He was an amazing writer. And also thank you for recommending “The Oval Portrait”. I just this minute finished reading it and yes, what a hauntingly beautiful story! I only wish I’d known of it sooner!
aslak122 said:
Not a challenge to you–both as twosome! In my years as AsstProf, English, at ETSU. 1972-86, I insisted to my Composition students that, assuming the truth of the claim that ‘We don’t know what we think about something until we hear what we say about it/read what we’ve written about it, the first step in writng a paragraph is to begin with its general subject–‘about’–in mind, and then find in it a sentence that names what it says.
“Try that for a topic sentence,” I’d say, “Then work to make the topic sentence match the details or vice versa.”
Because what most of them complained about was finding a suitable subject (if I hadn’t assigned one) and even then they usually surprised themselves with what they really wanted to write/say.
Meantime, kudos for your analysis and clarity of text!
Wendy Brydge said:
Hey, that sounds like good advice to me! Thanks for reading and commenting!
Fred said:
Excellent read. Definitely following this blog now. Poe’s work was my inspiration to first start writing poetry myself.
Wendy Brydge said:
Thanks, Fred! If Poe can’t inspire someone to start writing, I don’t know who ever could!
aslak122 said:
somehow I became Fred! Uh-Uh. I was once ‘Sam’ to a couple of Marine buddies but that ended when we got orders to different places.Your creations are eye-catching, and the tones breath-taking. ‘Religious symbolism’ links us; my icon is part of a walking stick as explained in one of my Pages. Hold your breath–it’s taken the place of the Cross in my Belief.George (yup!) Date: Sun, 24 Mar 2013 15:14:41 +0000 To: aslak122@hotmail.com
Wendy Brydge said:
Thank you, George (right?)! And I think you might have gotten my reply to Fred mixed up with my reply to you. Easy to do. ;)
I’ve been reading a bit of your blog, and while that is a beautiful walking stick, I’m afraid I don’t agree with your views. Man is not God, God is TRUTH and LOVE. What can be created in the absence of TRUTH and LOVE? Nothing. Falsehood and Hatred (that is The Devil), can create nothing. And knowledge without understanding is dangerous and misleading.
I believe that God is a living being. And God (TRUTH and LOVE) made visible in mortal form is Jesus. Not God’s offspring, but God Himself. The immortal putting on mortality, crucified, risen immortal once again.
I’ll be back to your blog. I think perhaps you and I could have some interesting conversations. :)
aslak122 said:
Wendy,Each time I click ‘Reply’ below I get araneus etc–an illustration of my lack of ‘know-how’ on a PC/blog, I suppose. So I’ll stay here where I’m acqainted with the SOPI was a confirmed Lutheran until I realized that my bestefar, drowned at sea off the Lofotens, would not be joined in a Heaven that doesn’t exist. So I investigated what possibilities remained earth-bound and what I found and pieced together satisfies me.I hope to publish a novel that develops that road to my Belief. Meantime, fire away and I’ll fire back–not the best metaphor, perhaps? Extend an aura and I’ll touch one to it?George Date: Tue, 26 Mar 2013 04:42:45 +0000 To: aslak122@hotmail.com
shanesbookblog said:
Great Post! Edgar Allen Poe has always been a favorite on mine. I Love your Blog as well very nice design indeed. Your Post has inspired me to do an article on EAP tomorrow! My Blog is new i just made it today so maybe if you get bored anytime soon you could drop By and leave a comment and or subscribe! Any Feedback is greatly Appreciated.
shanesbookblog said:
Allan*
aslak122 said:
I saw your ‘About’ and wish you joy of your vocation with computoring!
shanesbookblog said:
Thanks! Just got my comptia A plus cert last week!
Wendy Brydge said:
Thanks, Shane! I will certainly head over to your blog and check it out! Welcome to WordPress! Wishing you the best of luck, both with your blogging and all your future endeavours! You have ambition, passion and a desire to learn. You’ll go far with an attitude like that. Looking forward to reading your Poe piece! :)
araneus1 said:
A thin thread I know but…………………
Wendy Brydge said:
Ha! No, this was perfect! What a great picture! My love of Poe aside, I have a special fondness for ravens. Such intelligent creatures. Thanks for sharing! And great header pic on your blog, by the way!
Vincent Staley said:
Reblogged this on Braun electric shavers.
shanesbookblog said:
Hey Wendy! I finally finished my Piece on Poe. Here is the Link:
http://shanesbookblog.com/2013/03/28/edgar-allan-poe-and-how-his-works-poems-influenced-my-writing-and-my-life/
tonevig said:
Congratulations for the post!
Wendy Brydge said:
Thanks!
Adam S said:
Wendy, congratulations on your newly achieved Freshly Pressed status! I wouldn’t be the least bit surprised if this gets selected as an Editors Pick for this month. Watch for a pingback and a traffic spike. I’m calling it.
What a masterpiece! I’m making this post of the week on my page. Look for it in the sidebar. Very well done. My god, your writing makes me feel juvenile…oh wait, I am!
Wendy Brydge said:
Thanks, Adam! I’m pretty excited about this. Now if I can just get my act in gear and post something new before everyone gets tired of waiting and leaves again …
I’d love for this to make Editors’ Pick (and thanks for thinking it worthy of such an honour — “masterpiece”, wow!), but they seem to have changed the format from Picks at the end of the month to “Friday Faves”, which alas, I was not a part of.
But hey, while I may not have made Editors’ Pick, I’m getting a turn in your coveted Post of the Week spot! Adam, very cool, thank you so much!
And you’ve discovered my secret — I want my snooty blog to make *everyone* feel juvenile! No, I’m just kidding. Well, maybe just a bit …
Adam S said:
Friday Faves is lame! WordPress needs to get with the program!
Paul said:
What? You didn’t make MY Freshly Pressed piece your “post of the week,” Adam. And it WAS an Editors’ Pick! It’s because I don’t look as cool in ear muffs, isn’t it? FINE. No rock-star salute for you!
Adam S said:
Well I’ll salute you in any case, Paul \m/
P.S. have your agent contact me, and we’ll,see about making that happen. Drop me a link to your article.
Paul said:
Completely kidding around, my friend. \m/ You’re a good sport!
Wendy linked to my FPed article in her latest post. Here it is, though: http://thenightgallery.wordpress.com/2012/11/11/conformitys-critical-eye/. She was instrumental in helping it shine, providing loads of eye-catching pics and a sharp editing eye, not to mention tons of encouragement. Hope it appeals!
Wendy Brydge said:
Whoa, whoa, whoa! Boys! What in the name of all that’s holy is going on here? Gratuitous self-promotion? Back door wheelings and dealings? And we’re all just handing out rock star salutes? On MY blog? Paul, Adam, have you no decency?
Okay, I’m just ribbing y’all! Seriously, Paul’s post is exceptional (thanks to my magic touch ;)), but Adam, I don’t really peg you as a Twilight Zone fan. Although I suppose stranger things have happened.
And yes, Boss. I’m afraid I do pull off the furry ear muffs better than you. But let’s face it, I got to be Post of the Week for the simple reason that Adam likes me better. ;D
\m/ You two can share it.
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Tristan Alsop said:
Reblogged this on Online surveys and commented:
interesting post…
Wendy Brydge said:
Thanks for the reblog!
Joel Cole said:
Reblogged this on Xbox live codes Generator and commented:
good post!
Wendy Brydge said:
Thank you for reblogging this!
Keith Hummel said:
Edgar Allan Poe is one of the best writers of all time!:)
Wendy Brydge said:
I agree! :-)
Sandra Cooley said:
nice job on this tribute, Wendy…. Edgar allan Poe was indeed a legacy.. “Annabel Lee” is the living proof of that legacy.. :)
Wendy Brydge said:
Thanks, Sandra! Yes, Poe’s legacy will live on forever. :)
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cozyblanketsnowflakerepetitioncompulsion said:
Wonderful post! I learned a lot from this. I am a big Poe fan, and in all honesty, who doesn’t like some of his writing. His thoughts on writing are magnificent and eloquent and very practical!
Wendy Brydge said:
Thank you! And you’re right, there’s something for everyone in Poe’s writing. He’s one of the greats!
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Alex said:
Love your website, is this the default theme or a
custom one?
Wendy Brydge said:
The theme is an existing default one, yes — Chateau — but I’m not using it in its default setting. By default, it has a white colour palette. I’ve used the dark setting and customized the accent colour.
aslak122 said:
I just found this series of exchanges, ignorant until now that they and/or their like existed. Wow. How glad I am to have had an early ‘oar in this water’!
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fpdorchak said:
I am surprised I hadn’t commented on this before, when originally posted.
It is not my intent to attack someone who can no longer defend himself or besmirch a noted literary icon, but I have to call this out: I disagree with Herr Poe’s The Philosophy of Composition (TPoC), in as much as he really thought that was THE only way to write. Or to write well.
It sounds quite shortsighted a statement coming from a genius, if, as it was mentioned, he truly wrote this discourse. IMHO, most geniuses don’t limit creative acts, since many geniuses themselves are outliers and/or “live outside the box.” So I must admit to being suspect to said TPoC provenance.
That said…I believe in the *elements* he describes…I just disagree that they MUST be performed in described discrete fashion.
Having been a professional and amateur writer since six years of age and fast approaching 60, I know that what he says is patently *not* reality. There are so many ways and means for writing anything—or creating any work of art. Now, once that item has been created/written (here I’ll talk only of written material), [again,] there are many ways to rewrite! Maybe Mr.Poe wrote the TPoC and maybe he didn’t, that doesn’t make all of his efforts suspect. And even all the great geniuses of our times or earlier were human, flawed, and therefore not always “right.” Or maybe he wrote that in one of his famous mood swings/”highs” from an apparent bipolar disorder—
Or…maybe he didn’t really compose all his works in the manner described, least of all “The Raven” (there are experts who contend that had he really composed “The Raven” as described, he could have done a better job of it; who knows—I personally love the poem).
Many times people…especially those in the public eye…say things that aren’t true…or stretch the truth…or any degree of in-between. And since we do know that he [apparently] suffered from some sort of manic/depressive disorder, and having known several friends who had had (deceased)/have bipolar disorders, I know how high and how low such moods can be. What can be said and not said. All well meaning.
So I will say that the *elements* of what Poe says are true: at SOME POINT the writer does [usually] have to take stock in those considerations—at some point. And there are some geniuses out there, I am certain, who don’t need to rework their work. One time through and they’re done with it. I’m not like that. Many aren’t. After I “vomit out” my work, I go back over it in insane detail and dissection. Do a reverse outline. I’m not married to any word or turn of phrase. I research the hell (pardon the pun…) out of anything remotely factual in my work (though I am sure I occasionally miss something—I am…vaguely…human) and apply appropriate amounts of verisimilitude to the rest.
I hope you will all pardon my impassioned response, for I mean no ill will toward Mr. Poe or his memory, nor any of the above commenters (I have not read all the comments), and certainly not you, Wendy. But to hear this sort of sentiment repeatedly echoed in and out of writing circles (and I don’t care how famous or important the person espousing it is) really jams my pencil lead in a pothole, and I make it my duty to educate those who may not be as familiar with the issue as a writer who constantly runs into its continued pronouncement.
To state there is ONLY ONE WAY TO DO ANYTHING is a fallacy and should always be challenged.
Namaste.